Saturday, 29 September 2012

Essay Idea

Whilst reading the article 'Who owns the past? Aborigines as captives of the archives', by Henrietta Fourmile, (1989), I came across a quote that sparked both interest and questions inside that I may use as a topic for my final essay.

"The past is the possession of those in power; the past belongs to the victor."

In this section of the article it went onto compare the Aboriginal people to the Native Indians of North America and how the white settlers came and claimed these new lands and of everything that resided upon it. The white settlers were then the sole owners of the Native Indian culture and its histories, as far as they were concerned, because they held power. The article implies that the European settlers have taken a similar approach when they relocated to Australia.

Further along in the article it mentioned this;

"To be an Aborigine is having non-Aboriginies control the documents from which other non-Aboriginies write their version of our history."

I find this quote shocking, but only because of its relevance in today's society. Western society has taken control of so many different cultures purely because we hold power and believe that we are helping these other cultures by managing their affairs. Whilst the west holds so much power, these other cultures are forced to conform to the ways of Western Civilisation and abandon their own ways of life and cultural practices. When you read history books of these cultures, more often than not, they have been written by western anthropologists who have studied these cultures, they don't actually belong to them. So how on earth are these people going to have a true understanding of the history and cultural significance of certain events and customs within these other civilisations?

From an art point of view, I look and see how the influence of Western Civilisation has evolved the traditional art style of the Indigenous people - not necessarily in a positive way. When we look at very early traditional Indigenous Art there is so much we don't understand, but to the native people there is such depth in meaning and story telling within these paintings that is used to teach the next generation the ways of the people. However, as time has progressed, these traditional artists have been forced out by the pressure to conform to the direction of non-indigenous art directors and audiences. There is much desire for Indigenous art nowadays, but not necessarily in its true context - people just want the beautiful colours and patterns and textures to admire. And the market surge for this art style has resulted in exploitation of Indigenous artists, whereby non-Indigenous art dealers and curators have taken almost half of the profit for their own, and due to carefully placed obstacles and barriers the Indigenous people have their hands tied.


Friday, 7 September 2012

Ryan Presley

Ryan Presley is an Indigenous visual artist from Queensland. Ryan’s work is an exploration of societal power structures and perceptions. In his work, Ryan explores the concept of how traditions and views are formed, who this benefits and who this discredits.
Presley's series entitled 'Blood Money' is one that immediately caught my interest. Its bold, in your face message is so powerful that I feel if publicised properly, it could make a big difference in today's society which is filled with cultural imbalance and lack of understanding.

                                                       'Blood Money',
 2010, Ryan Presley
http://www.janmantonart.com/  accessed  07/09/12


The way I interpret this body of work is that our actual currency contains the faces of highly regarded people within society that have become renowned for services they have contributed to the development of the Australian colony. However, if this is the case, why is it that there are very few Indigenous Australians pictured on our currency? They for example, are the true inhabitants of Australia, this is their country; we came here thousands of years after they were already here so why don't they get any recognition on the face of their country's currency? Instead, these people shed blood for reasons that they did not understand, and couldn't comprehend after the white settlers arrived on Australian soil. They paid the ultimate sacrifice.

This relates to the exploitation of the work by Yolngu/Manharrngu bark painter David Malangi Daymirringu of the Australian one dollar note which was used without his permission, let alone knowledge. He was then paid a year later with an unacceptable amount for the application of work which wouldn't be acceptable in today's society, and would never had have happened if a non-Indigenous had designed the note - they would have been paid a healthy amount for their work.

http://www.artstartgrant.com.au/ArtStarters/Current/51?name=Ryan%20Presley

Sunday, 2 September 2012

Kevin Kropinyeri Jr.


Being from the River Murray region near Murray Bridge, I came across a local Indigenous Artist who is making quite a name for himself. Kevin Kropinyeri Jr. grew up along the River Murray in the towns of Tailem Bend and Murray Bridge (very close to my home). He didn't pursue a painting career until 2005. 
He uses bright colours and bold designs which he describes as Contemporary Aboriginal Art. Being from the Ngarrindjeri region, dot paintings aren't the traditional style, however, Kevin still enjoys creating these tedious works of art. 
His work is continually evolving and is aimed at representing River Life, Dreamtime Stories and Issues that affect Aboriginal people.

 Left: Kevin working

I really admire Kevin's work, it is beautiful to look at and I personally admire the patience required to paint these pieces. I also appreciate the subject matter he chooses to paint as it is clearly things that are close to his heart and he is passionate about. His work is of true value to my local area.